We should not be accepting ges_asset_set_proxy (NULL, proxy) as part of
the API! This behaviour was used internally in combination with
ges_asset_try_proxy, which is called on a still loading asset, so it was
moved to ges_asset_finish_proxy.
Previously, we tested that the given priority was `>0`, when it seems
that `>=0` was intended. A priority of `-1` means leave the priority
unchanged, whilst a priority of 0, or more, means move to this layer
priority.
Stop overwriting the ->list_children_properties virtual method in
subclasses because the timeline element class handles everything itself
anyway.
Note that containers already automatically add the children properties of
their child elements in ges_container_add.
Previously, we were setting the inpoint_offset using the start offset in
the duration callback!
Also added a notify for when the duration is changed in the child start
callback.
Previously, either the track or track_type arguments had to be specified
in order to find **any** track elements. Now, you can specify neither,
which will match any track element, of the specified type.
In the test_timeline.test_auto_transition, the corresponding xges only
has one layer, so we should only expect one layer when we extract the
timeline. This fixes a change that was missing from commit
d3e2cf55e3
If a clip is already part of a layer, then adding it to another layer
should fail. Previously, in this case, `ges_layer_add_clip` was adding a
reference to the clip instead, without subsequently giving up ownership.
This meant that the clip would be left with an unowned reference.
This has now been corrected by also calling `unref` after the
`ref_sink`.
Note that, since `clip` is already part of `current_layer`, it should
already be non-floating, so the `ref_sink`-`unref` should do nothing
overall. But we keep both to make the ownership (transfer floating/none)
explicit.
The method steals ownership of `copied_from`, so should be responsible
for unreffing it. Also make sure we fail when `layer != -1`, since this
functionality is not supported.
We try to do our best to have the video frames scaled the best way
to fill most space on the final frames, keeping aspect ratio. The user
can later on rescale or move the sources as usual but it makes the
default behaviour a better and more natural especially now that we
set default restriction caps to the video tracks.
And fix the unit test to take that change into account
This way the user can easily know how the clip would look like
if no scaling was applied to the clip, this is useful to be able
to properly position the clips with the framepositionner element.
We used to always call the `->set_child_property` virtual method
of the object that `ges_timeline_element_set_child_property` was called
from, but that means that, in the case of referencing GESContainer
children properties from its children, the children wouldn't know
what child property have been set, and the children override wouldn't
be takent into account, in turns, it means that the behaviour could be
different in the setter depending on parent the method was called,
which is totally unexpected.
We now make sure that the vmethod from the element that introduced the
child property is called whatever parent method is called, making the
behaviour more uniform.
Fix the python override to make sure that new behaviour is respected.
By default, video track output full HD@30fps, this makes the behaviour
of clip position much more understandable and guarantess that we
always have a framerate.
The user can modify the values whenever he wants
Basically we were advertising that the source size would be the
size of the track if it hadn't been defined by end user, but since
we started to let scaling happen in the compositor, this is not true
as the source size is now the natural size of the underlying video
stream.
Remove the unit test and reimplemented using a validate scenario which
make the test much simpler to read :=)
nleobject.duration defaults to 0, but this is pretty unintuitive for
end user in the case nlesource is use standalone, just consider
duration=0 equivalent to duration=GST_CLOCK_TIME_NONE as it makes
the element much simpler to use, we could actually forbid 0 as a value
in the future.
Also take into account potential CLOCK_TIME_NONE
Basically we know that if we are using mixing, compositor will be
able to do video conversion and scaling for us, so avoid adding those
usless elements.
This optimizes a lot caps negotiation for deeply nested timelines.
Basically the tags we send before STREAM_START are now ignored, meaning
that we could not detect nested timelines anymore, this commits makes
sure that we send our tag event after getting pushing STREAM_START.
When a composition is nested into anotherone, we *know* that the
toplevel composition is going to send a stack initializing seek,
we can thus avoid sending it on the subcomposition itself when
prerolling. This avoid seeking roundtrips and we now have one and
only one seek travelling in the overall pipeline (after it has
prerolled).
The 'start' of nleobject is in the 'composition' scale, inpoint is in
the media scale, when outside a composition, a nleobject->start value
doesn't mean anything.
Instead of seeking each nleobject separately to setup new stack, wait
for the whole stack to preroll and then seek that newly setup stack,
leading to the same code path and seek 'tweaking' as when processing
a seek on the composition (without stack changes).
This is mandatory to properly handle filter that tweak segments to handle
time remapping for example.
