gst_qt_mux_can_renegotiate () gets called everywhere following
that pattern:
return gst_qt_mux_can_renegotiate (ref(self));
This means the reference must be released both in the success
and failure cases, it was only done in the success case.
If codec_data is changed, the stream is no longer valid.
Rather than keeping running when refusing new caps,
this patch send a warning to the bus.
Also fix up splitmuxsink to ignore this warning while changing caps.
https://bugzilla.gnome.org/show_bug.cgi?id=790000
It generally makes not much sense to configure it for all pads/traks at
once as this value is usually different for each of them. As such, add a
new property on the pads in addition to the existing property on the
whole muxer.
https://bugzilla.gnome.org/show_bug.cgi?id=792649
If a reserved-max-duration is set, we should always track
and update the reserved-duration-remaining estimate, even
if we're not sending periodic moov updates downstream for
full robust muxing.
Timecode trak is only supported for mov right now, not for mp4. That
code would otherwise create an invalid trak if the muxed video contained
timecode metadata.
https://bugzilla.gnome.org/show_bug.cgi?id=782684
We only accept new caps if they are basically the same. We don't want to
reset anything as if the caps are new, otherwise various state could get
out of sync with the current run.
We have some padding added after the initial moov, so a bigger updated
moov can be handled to some degree and is expected. Previously we just
ignored the padding and errored out in cases when the padding would've
just been enough.
This sets up a moov with the correct sample positions beforehand and
only works with constant framerate, I-frame only streams.
Currently only support for ProRes and raw audio is implemented but
adding new codecs is just a matter of defining appropriate maximum frame
sizes.
https://bugzilla.gnome.org/show_bug.cgi?id=781447
When muxing raw audio, we have no way of storing timestamps but are just
storing a continuous stream of audio samples. If the difference between
the expected and the real timestamp becomes to big, we should error out
instead of silently creating files with wrong A/V sync.
https://bugzilla.gnome.org/show_bug.cgi?id=780679
They should have ideally the same timescale of the video track, which we
can't guarantee here as in theory timecode configuration and video
framerate could be different. However we should set a correct timescale
based on the framerate given in the timecode configuration, and not just
use the framerate numerator.
buf is the current pad->last_buf value. If ever it gets copied/unreffed,
we need to make sure to write back the new pointer to the last_buf
variable.
Fixes using wrong pointer values in the case of decrasing DTS value
last_buf is the one we're going to write next, not buf. As such we
should check timestamps against that one if there is one to select the
earliest pad.
Also remember the currently selected pad in the very beginning when
storing the first last_buf.
This both solves some edge cases where not the correct next pad was
selected corresponding to the target interleave.
If we have multiple tracks with timecodes, or it's not the first track
that has timecodes, or not the first buffer, we already started a chunk
for media data. We now need to "close" that chunk because we wrote data
for the timecode track and a new chunk has to be started for the
original track the next time it has data.
When reset, don't restart request pad numberings, as
request pads can survive across state changes. Only
restart at 0 if all request pads are handed back first.
https://bugzilla.gnome.org/show_bug.cgi?id=777174
'stream-format' and 'alignment' are defined in pad template caps so
there is no need to check them again here. Also remove bitrate parsing from
caps as bitrate in caps doesn't make sense but from tags, which is
actually the case.
https://bugzilla.gnome.org/show_bug.cgi?id=777181
Needed for QuickTime 7 to properly play files.
Also write the clap atom for MOV files always, not only when ProRes is
used as a video codec. It's mandatory for MOV.
https://bugzilla.gnome.org/show_bug.cgi?id=777100
39f7e52266 was setting the buffer duration
to 0 if is not valid, under the assumption that this is "the last"
buffer and no others are coming next. This is wrong, last_buf is the
previous buffer and not the very last one.
4e3c13c87c was setting DTS to 0 if there
was none. This will set DTS to 0 for all e.g. audio streams, completely
messing up calculations if streams don't start at 0.
https://bugzilla.gnome.org/show_bug.cgi?id=774840
Always write an edit list for the whole track. In general this is not
necessary except for the case of having a gap or DTS adjustment but
it allows to give the whole track's duration in the usually more
accurate media timescale.
https://bugzilla.gnome.org/show_bug.cgi?id=774403
The ProRes guidelines suggest an interleave of 0.5s is common, but
specifies that for ProRes at most 2MB (for SD) and 4MB (for HD) should
be used per chunk.
It might also make sense to use similar numbers in general.
https://bugzilla.gnome.org/show_bug.cgi?id=773217
Previously we were switching from one chunk to another on every single
buffer. This wastes some space in the headers and, depending on the
software, might depend in more reads (e.g. if the software is reading
multiple samples in one go if they're in the same chunk).
The ProRes guidelines suggest an interleave of 0.5s is common, but
specifies that for ProRes at most 2MB (for SD) and 4MB (for HD) should
be used per chunk. This will be handled in a follow-up commit.
https://bugzilla.gnome.org/show_bug.cgi?id=773217
It's required for ProRes to work with other software.
It is also in the MP4 standard, but inventing values here seems a bit
tricky for the general case and it does not really give any extra
information.
https://bugzilla.gnome.org/show_bug.cgi?id=769048
Use the number of milliframes per second for integral and drop-frame
framerates, as suggested by the QT file format specification and other
places. We already did that for integral framerates before, but not for
drop-frame framerates. This now keeps precision better.
For all other framerates, check if it's close to a well-known framerate
and use that instead.
https://bugzilla.gnome.org/show_bug.cgi?id=769041
Via the MPEG-4 Part 3 spec we can support the other layers too.
Also correct the samples per frame calculation for MP3 if it's MPEG-2 or
MPEG-2.5.
https://bugzilla.gnome.org/show_bug.cgi?id=765725
Avoid writing a negative number as a large positive
integer in an edit list when the first_ts is smaller
than the first_dts - which can happen when the first
packet received has a PTS but no DTS.
https://bugzilla.gnome.org/show_bug.cgi?id=759615
10 FourCCs generated with GST_MAKE_FOURCC() in gstqtmux.c and atoms.c
already exist in fourcc.h. Don't duplicate these and use them directly.
Plus moving 6 to fourcc.h, to centralize them all.
Negotiation to audio/x-raw,format=S8 was not possible because S8 does
not have a bit order so we ended up doing `if (!entry.fourcc) goto refuse_caps;`
https://bugzilla.gnome.org/show_bug.cgi?id=756387
The media start has nothing to do with the shift we have applied
but with the value of the first PTS. This is defined as:
Dt(0) = 0
Ct(0) = Dt(0) + CTTS(0)
So the media start is always the first CTTS.
https://bugzilla.gnome.org/show_bug.cgi?id=751361
Buffers need not to start at running-time 0 so the last_dts needs
to be the value of the first buffer's dts as it is used to compute
the duration of the buffers. If it was left at 0 the first buffer
would have a larger duration when it shouldn't
https://bugzilla.gnome.org/show_bug.cgi?id=751361
We shift DTS forward to avoid negative timestamps which cannot be
represented with version 0 of the CTTS table. To stick with that
version (backward compatibility), the spec recommend using an
edit list entry to move back the presentation time to where it
should be.
https://bugzilla.gnome.org/show_bug.cgi?id=751242
Adds AC-3 muxing support. It is defined for mp4 and 3gp formats.
One extra feature that was added was the ability to add extension
atoms after set_caps as the AC-3 extension atom needs some data
that has to be extracted from the stream itself and is not
present on caps.
Only update the moov header into the caps if it's the finalised
moov at EOS time. Avoids posting a bogus moov at startup and
repeated updates in robust-recording mode
Implement a robust recording mode, where the output
file is always in a playable state, seeking and rewriting
the moov header at a configurable interval. Rewriting
moov is done using reserved space at the start of
the file, and a ping-pong strategy where the moov
is replaced atomically so it's never invalid.
Track when tags have actually changed, and don't write them into
the moov unless they've changed. Clear any existing tags when
re-writing them, so we can do progressive moov updating in robust
recording mode.
Write placeholder mdat as a free atom plus a 32-bit mdat
with '0' size, which means "rest of the file" in the spec.
Re-write it later to a full 64-bit extended size atom if needed.
Correctly update any edit lists each time the moov is recalculated,
updating existing table entries if they already exist instead of just
adding new ones.
We always write the CTTS in qtmux. Ideally we only want to do that
for streams that need DTS, it should be present on the track information
rather than be decided based on each buffer
As qt uses durations, it doesn't matter, only the difference
between consecutive buffers is important. Also, collectpads
already replaces PTS/DTS with the running times for them.
