last_buf is the one we're going to write next, not buf. As such we
should check timestamps against that one if there is one to select the
earliest pad.
Also remember the currently selected pad in the very beginning when
storing the first last_buf.
This both solves some edge cases where not the correct next pad was
selected corresponding to the target interleave.
If we have multiple tracks with timecodes, or it's not the first track
that has timecodes, or not the first buffer, we already started a chunk
for media data. We now need to "close" that chunk because we wrote data
for the timecode track and a new chunk has to be started for the
original track the next time it has data.
When reset, don't restart request pad numberings, as
request pads can survive across state changes. Only
restart at 0 if all request pads are handed back first.
https://bugzilla.gnome.org/show_bug.cgi?id=777174
'stream-format' and 'alignment' are defined in pad template caps so
there is no need to check them again here. Also remove bitrate parsing from
caps as bitrate in caps doesn't make sense but from tags, which is
actually the case.
https://bugzilla.gnome.org/show_bug.cgi?id=777181
Needed for QuickTime 7 to properly play files.
Also write the clap atom for MOV files always, not only when ProRes is
used as a video codec. It's mandatory for MOV.
https://bugzilla.gnome.org/show_bug.cgi?id=777100
39f7e52266 was setting the buffer duration
to 0 if is not valid, under the assumption that this is "the last"
buffer and no others are coming next. This is wrong, last_buf is the
previous buffer and not the very last one.
4e3c13c87c was setting DTS to 0 if there
was none. This will set DTS to 0 for all e.g. audio streams, completely
messing up calculations if streams don't start at 0.
https://bugzilla.gnome.org/show_bug.cgi?id=774840
Always write an edit list for the whole track. In general this is not
necessary except for the case of having a gap or DTS adjustment but
it allows to give the whole track's duration in the usually more
accurate media timescale.
https://bugzilla.gnome.org/show_bug.cgi?id=774403
The ProRes guidelines suggest an interleave of 0.5s is common, but
specifies that for ProRes at most 2MB (for SD) and 4MB (for HD) should
be used per chunk.
It might also make sense to use similar numbers in general.
https://bugzilla.gnome.org/show_bug.cgi?id=773217
Previously we were switching from one chunk to another on every single
buffer. This wastes some space in the headers and, depending on the
software, might depend in more reads (e.g. if the software is reading
multiple samples in one go if they're in the same chunk).
The ProRes guidelines suggest an interleave of 0.5s is common, but
specifies that for ProRes at most 2MB (for SD) and 4MB (for HD) should
be used per chunk. This will be handled in a follow-up commit.
https://bugzilla.gnome.org/show_bug.cgi?id=773217
It's required for ProRes to work with other software.
It is also in the MP4 standard, but inventing values here seems a bit
tricky for the general case and it does not really give any extra
information.
https://bugzilla.gnome.org/show_bug.cgi?id=769048
Use the number of milliframes per second for integral and drop-frame
framerates, as suggested by the QT file format specification and other
places. We already did that for integral framerates before, but not for
drop-frame framerates. This now keeps precision better.
For all other framerates, check if it's close to a well-known framerate
and use that instead.
https://bugzilla.gnome.org/show_bug.cgi?id=769041
Via the MPEG-4 Part 3 spec we can support the other layers too.
Also correct the samples per frame calculation for MP3 if it's MPEG-2 or
MPEG-2.5.
https://bugzilla.gnome.org/show_bug.cgi?id=765725
Avoid writing a negative number as a large positive
integer in an edit list when the first_ts is smaller
than the first_dts - which can happen when the first
packet received has a PTS but no DTS.
https://bugzilla.gnome.org/show_bug.cgi?id=759615
