This was complexifying the implementation for very little gain.
Each source type should ideally have its own API.
In that patch we make it so we do not have to subclass anything
but instead use GESAsset to pass information about how the pipeline
should look like.
Part-of: <https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/merge_requests/175>
Each active non-core child must have a corresponding active core child
in the same track. Therefore, if we de-activate a core child, we also
need to de-activate all the non-core children in the same track.
Similarly, if we activate a non-core child, we need to activate the
corresponding core child as well.
Part-of: <https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/merge_requests/169>
We first change the duration of the splitted clip, then we add the new
clip to the layer and assign the tracks for its children. Normally, when
a clip is added to a layer it will have its track elements created, if
needed, and then assigned to their tracks. This will fail if any sources
would fully or triple overlap existing sources in the same track.
However, here we were adding the clip to the layer *and* avoiding the
track assignment process and instead setting the tracks explicitly. In
particular, the order was:
+ add new clip to layer with no tracks assigned
+ shrink the split clip
+ assign the tracks for the new clip
This has been changed to:
+ shrink the split clip
+ add new clip to layer with no tracks assigned
+ assign the tracks for the new clip
Thus, the order of events for any users connecting to object signals
will be close to that of adding another clip to the layer.
Part-of: <https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/merge_requests/169>
Make sure that the priority of an appended layer is the lowest (highest
in value) when appending a layer to the timeline. This change is
important when appending a layer to a timeline, which can easily have a
gap in priorities if a layer has been removed.
Part-of: <https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/merge_requests/169>
Editing has been simplified by breaking down each edit into a
combination of three basic single-element edits: MOVE, TRIM_START, and
TRIM_END.
Each edit follows these steps:
+ Determine which elements are to be edited and under which basic mode
+ Determine which track elements will move as a result
+ Snap the edit position to one of the edges of the main edited element,
(or the edge of one of its descendants, in the case of MOVE), avoiding
moving elements.
NOTE: in particular, we can *not* snap to the edge of a neighbouring
element in a roll edit. This was previously possible, even though the
neighbour was moving!
+ Determine the edit positions for clips (or track elements with no
parent) using the snapped value. In addition, we replace any edits of
a group with an edit of its descendant clips. If any value would be
out of bounds (e.g. negative start) we do not edit.
NOTE: this is now done *after* checking the snapping. This allows the
edit to succeed if snapping would cause it to go from being invalid to
valid!
+ Determine whether the collection of edits would result in a valid
timeline-configuration which does not break the rules for sources
overlapping.
+ If all this succeeds, we emit snapping-started on the timeline.
+ We then perform all the edits. At this point they should all succeed.
The simplification/unification should make it easier to make other
changes.
Fixes https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/issues/97
Fixes https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/issues/98
Part-of: <https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/merge_requests/169>
The duration-limit is the maximum duration that can be set for the clip
given its current children and their properties. If a change in the
children properties causes this to drop below the current duration, it
is automatically capped by this limit.
Part-of: <https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/merge_requests/169>
Made sure that adding a new track only uses select-tracks-for-object for
core children to determine whether a track elements should be added to the
new track or not, and *not* any other track. In particular, there should
be *no* change in the existing tracks of the timeline when adding another
track. Moreover, a new track should not invoke the creation of track
elements for other tracks.
Part-of: <https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/merge_requests/160>
The property had been deprecated and is unused.
This property is not needed. Any internal time effect that an nleoperation
wraps is itself responsible for converting seek/segment timestamps.
Previously, the ghostpads were performing a rate conversion after the
rate element had already done so, essentially doubling their effect on
seeks and segment times. This was always unnecessary, but went unnoticed
by the tempochange test because it was using an identity element rather
than an actual rate-changing element.
Part-of: <https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/merge_requests/160>
By-pass the select-tracks-for-object signal for auto-transitions since
their track element must land in the same track as the elements it is
the auto-transition for.
The way a clip's track elements are added to tracks was re-handled. This
doesn't affect the normal usage of a simple audio-video timeline, where
the tracks are added before any clips, but usage for multi-track
timelines has improved. The main changes are:
+ We can now handle a track being selected for more than one track,
including a full copy of their children properties and bindings.
(Previously broken.)
+ When a clip is split, we copy the new elements directly into the same
track, avoiding select-tracks-for-object.
+ When a clip is grouped or ungrouped, we avoid moving the elements to
or from tracks.
+ Added API to allow users to copy the core elements of a clip directly
into a track, complementing select-tracks-for-object.
+ Enforced the rule that a clip can only contain one core child in a
track, and all the non-core children must be added to tracks that
already contains a core child. This extends the previous condition
that two sources from the same clip should not be added to the same
track.
+ Made ges_track_add_element check that the newly added track element
does not break the configuration rules of the timeline.
+ When adding a track to a timeline, we only use
select-tracks-for-object to check whether track elements should be
added to the new track, not existing ones.
+ When removing a track from a timeline, we empty it of all the track
elements that are controlled by a clip. Thus, we ensure that a clip
only contains elements that are in the tracks of the same timeline, or
no track. Similarly, when removing a clip from a timeline.
+ We can now avoid unsupported timeline configurations when a layer is
added to a timeline, and already contains clips.
+ We can now avoid unsupported timeline configurations when a track is
added to a timeline, and the timeline already contains clips.
Fixes https://gitlab.freedesktop.org/gstreamer/gst-editing-services/-/issues/84
Before the max-duration could be set arbitrarily when the clip was empty,
to indicate what the max-duration would be once the core children were
created. Now, we can also do this whilst the clip only contains non-core
children.
Make sure we sink the child on adding, and keep it alive until the end
in case the method fails.
Also, since the child mappings hold a ref to the child, they should give
them up in their free method. This way, the ref will be given up on
disposing, even if ges_container_remove fails.
Also, reverse setting of the start of the container if adding fails.
Refactoring GESVideoSource so that #GESUriVideoSource can handle
still image in a simple way
MultiFileSource has been replaced with the new `imagesequencesrc`
element, this was totally broken anyway as `multifilesrc` can not seek
properly.
The in-point of a clip is kept in sync with its core children, unless they
have no has-internal-source.
The max-duration is defined as the minimum max-duration amongst the
clip's core children. If it is set to a new value, this sets the
max-duration of its core children to the same value if they have
has-internal-source set as TRUE.
Non-core children (such as effects on a source clip) do not influence
these values.
As part of this, we no longer track in-point in GESContainer. Unlike start
and duration, the in-point of a timeline element does not refer to its
extent in the timeline. As such, it has little meaning for most
collections of timeline-elements, in particular GESGroups. As such, there
is no generic way to relate the in-point of a container to its children.
Previously the control bindings were not properly copied into the pasted
clip. Also changed the order so that elements are added to the clip
before the clip is added to the timeline.
Add the child-property-added and child-property-removed signals to
GESTimelineElement.
GESContainer is able to use this to keep their child properties in sync
with their children: if they are added or removed from the child, they
are also added or removed from the container.
Hold the notify signals for the container and the children until after
the child has been fully added or removed.
After the previous commit, this was used to ensure that the
notify::priority signal was sent for children of a clip *after* the
child-removed signal. This stopped being the case when the code in
->child_removed was moved to ->remove_child (the latter is called before
the child-removed signal is emitted, whilst the former is called
afterwards). Rather than undo this move of code, which was necessary to
ensure that ->add_child was always reversed, the notify::priority signal
is now simply delayed until after removing the child has completed. This
was done for all notify signals, as well as in the add method, to ensure
consistency.
This allows the test_clips.py test_signal_order_when_removing_effect to
pass.
Also make subclasses take a copy of the list of the children before
setting the start and duration, since this can potentially re-order the
children (if they have the SET_SIMPLE flag set).
Only allow elements that were created by ges_clip_create_track_elements
(or copied from such an element) to be added to a clip. This prevents
users from adding arbitrary elements to a clip.
As an exception, a user can add GESBaseEffects to clips whose class
supports it, i.e. to a GESSourceClip and a GESBaseEffectClip.
This change also introduces a distinction between the core elements of a
clip (created by ges_clip_create_track_elements) and non-core elements
(currently, only GESBaseEffects, for some classes). In particular,
GESBaseEffectClip will now distinguish between its core elements and
effects added by the user. This means that the core elements will always
have the lowest priority, and will not be listed as top effects. This is
desirable because it brings the behaviour of GESBaseEffectClip in line
with other clip types.
We were implementing the logic for moving/trimming elements specific
to SourceClip but this was not correct ass the new timeline tree allows
us to handle that for all element types in a generic and nice way.
This make us need to have groups trimming properly implemented in the
timeline tree, leading to some fixes in the group tests.
This adds tests for the various cases known to not be handled properly
by the previous code.
Fixes https://gitlab.freedesktop.org/gstreamer/gst-editing-services/issues/92
Previous usage of the property proxy-target seemed to alternate between
the two definitions:
+ The asset we are the default proxy of
+ The asset we are in the proxy list of
Now, the latter definition is used, which seems more useful to a user
since knowing the latter can easily allow you to find out the former.
The previous behaviour of ges_asset_set_proxy (asset, NULL) was not very
clear. It is now defined so that it clears all the proxies for 'asset'.
This means that after this call, the GESAsset:proxy property will indeed
be NULL.
Also fixed:
+ We can call ges_asset_set_proxy (asset, proxy) when 'proxy' is already
in the proxy list of 'asset'.
+ Handling of removing the default proxy in ges_asset_unproxy. This was
sending out the wrong notifies.
+ Prohibiting circular proxying. Before we could only prevent one case,
we should now be able to prevent all cases. This will prevent a hang
in ges_asset_request.
The test_proxy_asset test needs the internal method
ges_asset_finish_proxy. The test also uses the associated internal methods
ges_asset_try_proxy and ges_asset_cache_lookup. However, these are
marked with GES_API in ges-internal.h, which allows us access to them
here.
The new method is not marked as GES_API because it would not allow us to
remove the method in the future without removing it from the symbols list.
We do not want to add to the problem.
The test was simply commented out since we may wish to support tests
that access internal methods in the future using meson.
We should not be accepting ges_asset_set_proxy (NULL, proxy) as part of
the API! This behaviour was used internally in combination with
ges_asset_try_proxy, which is called on a still loading asset, so it was
moved to ges_asset_finish_proxy.
Basically we were advertising that the source size would be the
size of the track if it hadn't been defined by end user, but since
we started to let scaling happen in the compositor, this is not true
as the source size is now the natural size of the underlying video
stream.
Remove the unit test and reimplemented using a validate scenario which
make the test much simpler to read :=)
In general, brought the behaviour of the `start`, `duration` and
`inpoint` setters in line with each other. In particular:
1. fixed return value the GESSourceClip `duration` setter
2. changed the GESClip `start` setter
3. fixed the inpoint callback for GESContainer
4. changed the type of `res` in GESTimelineElement to be gint to
emphasise that the GES library is using the hack that a return of -1
from klass->set_duration means no notify signal should be sent out.
Also added a new test for clips to ensure that the setters work for
clips within and outside of timelines, and that the `start`, `inpoint`
and `duration` of a clip will match its children.
